A typical evening in the life of a PostSecret.com intern

Last Tuesday evening (August 28th) Lindsey and I both arrived at the PostSecret headquarters as usual, and I (Hayley) decided to take a few photos to show everyone what exactly being an intern for PostSecret.com entails. So, welcome to an evening with me and Lindsey!


(above) Lindsey suggested last week when we were brainstorming that possibly Frank could auction off one of the large canvas-pieces of the blown-up postcards (used in the All-American Rejects' music video for "Dirty Little Secret") for charity. All of the money would go to benefit 1800-SUICIDE. So, the first item on the agenda was to choose one of the lovely huge postcard pieces to auction off.


(above) This is the piece that we pick.


(above) Frank also decides he'll auction off a galley copy of the new book, A Lifetime of Secrets, that's set to come out in October, for the 1800-SUICIDE charity as well.


(above) Time for business: we chat about some upcoming projects and whatnot.


(above) Frank at the computer where PostSecret.com is born each Sunday.


(above) Shadow the Official PostSecret Pup decides to join Frank in front of the auction-piece.


(above) American readers: ever wonder if the UK versions of the PostSecret books look different? They do!


(above) Lindsey plays with Shadow.


We puttered about and looked through the galley for the upcoming A Lifetime of Secrets book and other such things, but these photos pretty much cover the evening.

We are currently looking, by the way, for some virtual interns to help out with the official PostSecret forum that's going to open up very soon. If you are 18 or older and you'd like more details, contact me and Lindsey at: postsecretintern@gmail.com

New intern!

Hullo! I'm Hayley, and in the beginning of July I began working with Frank as one of his PostSecret interns. So far, I must say the experience has been like nothing I've ever experienced before, particuarly where jobs are concerned.

The other evening I came across one secret which stopped me in my tracks, namely because just the night before I had scribbled the same secret in my own personal journal, and had absently thought to myself that I should send it to Frank. And here was someone who had scrawled the same words down. Honestly, if I could find this person (alas, due to the anonymoous nature of PostSecret, I shall never know!) I would ask them to be my new best friend happily ever after. But it really doesn't matter if that person remains a mystery to me - the point is that they exist, that we are not alone.

It's an interesting experience, and I'm enjoying every minute of it.

True or False?

A common concern, or at least an obvious one, for audiences or the creator seems to be, "How do you know that the secrets that are being sent in are real?" I would hate to think that some individuals, rather than respect the project, simply aspire to be published on the website and therefore attempt to fabricate the most extreme "secret" simply for their five minutes of fame.

Perplexed, I asked Frank for his thoughts on this potential problem, and his reply was unexpected. He said that he didn't see the secrets as true or false. He views them as works of art.

The part of me that wants to view everything as black or white did not like that answer. Isn't the point of the project that the secrets are true? I was hoping for a more combative response such as "It is a problem, and we need to do something about it!" But I guess when you consider the project, and how the project is just as much about the audience as it is about the artist, the secret may be true for someone somewhere. The impact doesn't have to be on the artist's side for the project to be affective.



My favorite secret this week because I feel similarly:

~Nicole~

The Search for Frank Warren's Next PostSecret Intern

Unfortunately, Jenna and I can't be PostSecret interns forever, so Frank has entrusted us with the task of receiving applications and interviewing for the next interns. I leave at the end of June, and Jenna finishes in August. Frank wants to continue having two interns, and Jenna will be able to "train" the first new intern until she leaves.

We have started a facebook group, "I want to be a PostSecret intern!". Join our group! Feel free to ask us questions about the job or about the application process. Frank is excited about the intern program, and it is definitely a worthwhile experience. We look forward to hearing from you!

~Nicole~

Opening Day

Friday the 13th was the premiere of Artomatic 2007 and I was dutifully in charge of making sure Frank Warren's hard work didn't go unseen. Excited and nervous to have such a huge responsibility on my hands, I rushed down to Crystal City to set up the PostSecret room. You'd think all I had to do was push play, but just my luck the whole tv and dvd had been unplugged for the inspector. I had to reset everything (luckily Frank had forseen such events and given me directions to do so). A few fellows poked their heads in and asked if I had broken it, but thankfully I had not, hah. So finally I got the exhibit up and running; I patched the few post cards that had fallen back up on the walls; I placed PostSecret post cards on the pews and turned out the lights.

Artomatic went off without a hitch and a rough 4,000 people walked the halls. There we're so many artists there and I really feel like Frank created a mini-sanctuary away from all the clamor and bright lights. In his little room with two church pews and the cool darkness, you could relax and be invited into a world of secrets (perhaps some you might recognize in yourself). Frank said he wanted the experience to be almost spiritual and I think that is what he achieved. I imagined a conversation or a struggle forming within a person as they viewed the secrets on the screen. A few times I sat in the room watching with a stranger and I noted their reactions. They laughed to themselves and silently regarded the secrets that seemed to hit home, but I almost felt as if I wasn't suppose to be there. Seeing someone else read secrets seemed like an invasion of privacy. I wonder if I hadn't been there if those people would have laughed louder or perhaps cried. I will never know.

The room was a place I always returned to after making a few rounds to other exhibits. It was like a hideout. A place where I could rest my feet and feel no urgency to get up and leave.

- Jenna

Art as a Science

I was asked to come in and secure postcards on a wall for the Artomatic exhibit. I envisioned that I would just be undiplomatically tacking up the secrets wherever I could find space, but the assignment was actually quite arduous.

Frank requested that the postcards be posted with the address-side facing out. He explained that he wants to keep his audience always wanting more. This is why he only puts up a handful of secrets on the website each week and why he neglects to maintain an internet archive. He reasons that if he gives his audience all of the secrets they demand, they will tire of the project. Some of the magic will be lost. As one of his audience, I want to object to this notion, insatiably desiring to see more secrets, but as an intern who is privileged to view a plethora of secrets, I can completely understand his logic. For me, the secrets do not have quite the same impact after reading dozens of them at once.

Logic and art are not generally associated together, and that is what I found so interesting about Frank's revelation on how he manages the project as well as how I put the postcards on the wall. There was a definite design and order. It made me reflect on how different an "art internship" is from my regular 9 to 5 job. At my day job, there is a definitive right and wrong. With this project, it is much more difficult because the objectives are not as translucent. The project is Frank's, and the requests are a result of his vision. I consider how difficult it must be for him to relinquish some small part of the project to us, the interns, because our own influence inevitably infiltrates the project. My composition of postcards on the wall will undeniably differ from Frank's arrangement, had he done it.

How does an artist relinquish some control of his project and effectively convey his vision to the people he has selected to help? How can he maintain the nuances while permitting the influence of others in the project? I suppose I won't know until one day I have a creative venture of my own.

~Nicole~

Artomatic

I am the "other intern". I am Nicole, and I am currently a student at Northeastern University. Northeastern promotes their co-op program, and that is how I ended up in D.C. Luckily enough, the PostSecret project "headquarters" is in this area too.












This week Jenna (pictured above) and I learned that being a PostSecret intern is about more than just reading postcards (okay, so we were supposed to be organizing them and might have stopped to read one or two or 50). We met Frank in Crystal City to assist with set-up of the next Post Secret exhibition, the Artomatic.

From the outside, the site for the Artomatic looks like a standard, boring office building. But on the sixth floor, dozens of rooms are occupied by frenzied artists preparing to showcase their work.


Pictured is our room just before we painted it. Frank hopes to display a 30 minute DVD featuring a slideshow, to selected music, of his indelible postcards. Opening night is April 13. Jenna will be there handing out blank postcards. The exhibit runs from April 13-May 20. If you are in the area, be sure to check it out.